The first successful movie shot on Super 16 was The Draughtsman's Contract in 1982. It was also the first use of Cooke’s Varokinetal 10.5-60mm zoom, a modification of the existing 9-50mm T2.5 standard 16mm lens. Cooke later produced a superb 10-30mm T1.6 Varopancro lens for Super 16mm.
Full Answer
What is Super 16mm film?
Super 16mm: Swedish cinematographer Rune Ericson developed the variant called Super 16, Super 16mm Film, or 16mm Type W in 1969. Using a single-sprocket film, it makes use of the extra room available for an expanded picture area of 7.41mm by 12.52mm and with a wider aspect ratio of 1.67.
What are the different formats of 16mm film?
Format standards 1 Standard 16 mm. The picture-taking area of standard 16 mm is 10.26 mm × 7.49 mm (0.404 in × 0.295 in), an aspect ratio of 1.37:1, the standard pre-widescreen Academy ... 2 Super 16 mm. Super 16 and 16 mm film. ... 3 Ultra 16 mm. The DIY -crafted Ultra 16 is a variation of Super 16. ...
What is the difference between 8mm and Super 8 film stock?
While both standard 8 and super 8 film are both 8mm in width, Super 8 film stock has a slightly larger frame size. Standard 8mm film has a frame size of roughly 4.5mm x 3.3mm, while Super 8 film has a frame size of around 5.8mm x 4.01mm.
What stocks are available in 16mm and 8mm?
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States.
What aspect ratio is super 16mm film?
1.65:1Common Cinema Presentation SystemsSystemAspect RatioGaugeNegativeStandard 16mm1.37:116mmSuper 16mm1.65:1Extended 16mmStandard 35mm Wide Screen1.37:1Academy Frame 35mm6 more rows
Is Super 8 the same as 16mm?
The frame size (picture taking area) of 16mm film is about 10.26mm x 7.49mm. While both standard 8 and super 8 film are both 8mm in width, Super 8 film stock has a slightly larger frame size. Standard 8mm film has a frame size of roughly 4.5mm x 3.3mm, while Super 8 film has a frame size of around 5.8mm x 4.01mm.
What is the difference between 16mm and Super 16mm?
A Super 16 frame is 20 to 40% larger than a regular 16 mm frame depending on the aspect ratio chosen. The native aspect ratio of a Super 16 frame is 1.66:1, which is a good fit for the HDTV aspect ratio of 1.78:1 (19 x 9) or the theatrical release format of 1.85:1.
Can you shoot 16mm film on a 35mm camera?
It would eb best to avoid any film they had a vbacking like this that would rend to come off in the developer. which it 16mm stock with twice as many perforations. Using it in a 35mm camera would have problems framing the image..
Can a 16mm projector play 8mm?
The simple answer is NO. You cannot. Just like you can't play a DVD in a VHS player––unless it was one of those cool VHS/DVD combo players––Super 8 film cannot be played on a regular/standard 8mm projector just as a standard 8mm reel cannot be played on a Super 8 projector.
Is 16mm film still made?
Kodak is now the only company that makes motion picture film stocks. They currently have six stocks available for 16mm, which can work in either Standard 16mm or Super 16mm cameras. There are four color negative films, one black and white negative film, and one black and white reversal film.
Do they still make 8mm film?
Today there is still a variety of Super 8 film stocks. Kodak sells one Super 8 color reversal stock, Ektachrome 100D, and three Super 8 color negative stocks cut from their Vision 3 film series, ISO 50, ISO 200 and ISO 500, which can be used in very low light.
How can I make 16mm film at home?
5:3010:50Can You Develop Super 8 & 16mm AT HOME?? - YouTubeYouTubeStart of suggested clipEnd of suggested clipAnd that's probably like the easiest place to start if you're trying to do super 8 at home now 16MoreAnd that's probably like the easiest place to start if you're trying to do super 8 at home now 16 millimeter though does have double X and double X is a black and white negative stock.
How long does 100ft of 16mm film last?
16 mm movie filmSpool sizeRunning timeLength100 foot 30 metreapprox 3 minutes400 foot 122 metreapprox 11 minutes1000 foot 300 metreapprox 30 minutes2 more rows
What ratio is 16mm?
1.37:1Standard 16mm: The area of exposure for standard 16mm is 10.26mm x 7.49mm, with an aspect ratio of 1.37:1, the standard pre-widescreen Academy ratio for 35mm.
How much does it cost to develop a roll of 16mm film?
A 400′ roll of brand new 16mm film (not re-cans) will run you about $100 – $125, and will give you 11 minutes of footage. The processing/scanning will come out to be around the same, so for every 11 minutes you shoot, you're looking at about $250 all in.
What is the difference between 16mm and 35mm film?
16mm lenses don't have to bend the light as much and yes, appear to be a little sharper. The centre of the lens is the sharpest. 35mm lenses use bigger glass, especially the curved edges so the lenses seem to have more falloff on the sides.
What is Super 16?
16mm film (Super16) is a format of film that measures XX.0mm wide by XX.0mm tall with a diagonal measurement of XX.0mm when using an aspect ratio of 1.85. Super 16 film frame size is nearly equal to the imager size of a 2/3” broadcast video camera and image circle sizes capable lens with B4, MFT and Bayonett lens mounts.
What is the difference between Super 16 and Super 16?
Super 16 film format is different from the original format of 16mm film in one major way. 16mm film that was very widely used for news reels and documentation from the early 1900’s to the 1970’s had sprockets running down both sides of the film strip and the cameras had two matching pull-down claws that would advance the film, frame by frame. 16mm film often had an optical track of audio embedded into it as well, taking up some space on the film surface. Audio was added to the film doing the editing process so that a single canister of film could travel to a projector at a theater with sound included. 16mm dual sprocket had aspect ratios of 1.85 and 1.33 when using 2 perf or 3 perf ratios. When Super 16mm film was created, the same piece of film was used but one side of the perforations was removed and Super16 cameras were also designed to use only one pull-down claw for the single perf design of the film stock. This modification of the film and the camera allowed for more surface area of the film emulsion to be used for image exposure and resulted in an increase in resolution and lower amounts of film grain (noise) was captured due to the increased resolution. The aspect ratios allowed by design of Super 16 film were also improved to the potential for 2.40 widescreen aspect per 2 perforations or when shooting 3-perf, you could shoot theatrical standards of 1.85. If you wanted to shoot 4.3 aspect ratio intended for TV, you could also use a film gate that allowed for 4-perf framing.
16mm Film
16mm film was first introduced by Eastman Kodak in the 1920’s. Initially intended for amateurs and home enthusiasts, 16mm film quickly became popular with professional filmmakers in the educational, government, business, and medical sectors.
Standard 8mm Film
8mm (standard) film was introduced in the 1930’s as a less expensive alternative to 16mm. Sometimes referred to as Double 8, these film spools actually contained 16mm film with twice as many perforations (sprocket holes) as normal 16mm film.
Super 8mm Film
Super 8 film is probably the most recognized and widely used film stock by amateur filmmakers. Introduced in 1965, Super 8 film was quickly adopted thanks to higher image quality and having an easier cartridge loading system compared to standard 8mm. Super 8 film was also specifically designed to accommodate a sound track.
What's the difference between 16mm, 8mm, and Super 8 film?
When attempting to identify which type of film stock you have, there are a few key differences you can look for. Knowing these differences can be helpful when deciding on a company to convert your film to digital.
Converting Film to Digital
Now that you can identify some of the most common film formats, you may be wondering what you can do to preserve any aging film reels you have in your collection. The most popular option is to convert your film to digital files which would allow you to easily view, save, and share your home movies on all of your modern digital devices.
What is Super 16mm?
Super 16mm: Swedish cinematographer Rune Ericson developed the variant called Super 16, Super 16mm Film, or 16mm Type W in 1969. Using a single-sprocket film, it makes use of the extra room available for an expanded picture area of 7.41mm by 12.52mm and with a wider aspect ratio of 1.67.
Who makes 16mm film?
Kodak and Agfa happen to be the two major suppliers of 16mm film now as Fuji closed their film manufacturing facility in 2012. The television uses 16mm for Hallmark Hall of Fame anthology, The O.C, Friday Night Lights, HBO’s Westworld and also The Walking Dead in the U.S.
What camera was used in Sharpe's Peril?
The famous TV series of the British Napoleonic era called Sharpe was shot on the famous Super 16mm all through to the film Sharpe’s Challenge (2006). The producers switched to 35mm for the last film of the series Sharpe’s Peril (2008). 16mm was also used in the movie, Moonrise Kingdom.
Why was nitrate film discontinued?
Nitrate film was never used by Kodak due to the high flammability of the nitrate base. By 1952, 35mm nitrate was discontinued altogether. The 16mm film is an economical and historically famous gauge of the film.
When was the first 16mm camera made?
Eastman Kodak released the first 16mm outfit in 1923 which comprised of a camera, a tripod, a projector, tripod, screen and a splicer for $335. A 16mm sound movie projector was introduced in 1932 by RCA-Victor along with that he also developed an optical sound-on-film 16mm camera that was released in 1935. YouTube.
What film stock was used in the Hurt Locker?
The Best Picture Academy Award Winner, The Hurt Locker was shot suing Fujifilm 16mm film stocks as well as Aaton Super 16mm. The cost savings that were made over the 35mm, enabled the production team to make use of multiple cameras for various shots and also exposing about 1,000,000 feet of film.
What is 16mm used for?
Whereas today, the 16mm format is often used for student films as its usage for making the documentary has almost vanished from existence. The super film is still used for some productions that are destined for HD with the invention of HDTV.
How much does a 400 roll of 16mm film cost?
A 400′ roll of brand new 16mm film (not re-cans) will run you about $100 – $125, and will give you 11 minutes of footage. The processing/scanning will come out to be around the same, so for every 11 minutes you shoot, you’re looking at about $250 all in.
Is filming scary?
At first, the idea of shooting film can feel scary, especially if you’ve worked exclusively with digital cameras. But depending on how you like to work, the added pressure and challenge of shooting on film can really change the way that you work and force you to make some more instinctual decisions.
Is film more expensive than digital?
There’s no question that shooting on film can be far more expensive than digital . At the same time it has never been cheaper to shoot on film, and there are some undeniable cost benefits when compared to digital.
Is there a time limit for shooting on S16?
One of the things I dislike about shooting digitally is that there is no time limit. That might sound funny, considering you could also make an argument that the drawback of film is that it’s finite ...
Does reversal film include scanning?
Reversal film will have projection leader. Product does not include scanning film to digital. Process any stock that requires ECN2 Color Negative processing, E6 Color Reversal processing or D94A Black and White Reversal processing. Product does not include outdated film stocks.
Does Pro8mm use FedEx?
Pro8mm uses standard Fedex delivery including ground, priority overnight, standard overnight, 2-day, express saver, international, and Saturday delivery, and standard USPS options such as Priority Mail and First Class Mail. Standards rates will apply depending on what you select on Sprocket or at checkout.
What was the B designation for film stocks in 1956?
The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm. The list below is from 1960; "A" was 16mm, "B" was 35mm.
What does a stock ending in 2 mean?
Stock numbers ending in a "2" are Fuji's Super-F emulsions (1990s) and the stocks ending in "3" are the new Eterna emulsions. Also, Eterna Vivid series negatives' last second suffix as "4", and the ending suffix as different "E.I.".
Is Reala a Super F?
Reala. Containing a fourth color layer, Reala is nominally considered a part of the Super-F series. Its analogue in the stills market is Superia Reala. Reala 500D 8592/8692 was introduced in December 2001, and discontinued in February 2011.
